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Newsletter of the District of Asia Oct - Dec 2001 Our Lady
of the Rosary known as
Sculpted by a non-Catholic Chinese artist who was later converted through the intercession of the Blessed Mother, the image of Our Lady of the Rosary was commissioned in 1593 by the Spanish Governor of the Philippines, Luis Perez Dasmariñas, who wanted the statue to memorialize both his deceased father and his own regime. The statue was entrusted to the Dominicans in Manila and was enshrined in Santo Domingo Church, where it received an outpouring of love and devotion. Fifty-three years later, in March, 1646, while Spanish invaders were still governing the islands and were outright enemies of the Dutch, the people were shocked to learn that a fleet of five Dutch war ships was bearing down on Manila. Carrying the triple threat of conquest, pillage and Dutch Protestantism, the enemy had chosen a time when Spanish warships were unavailable for defense. Two commercial galleons, "The Rosary" and "The Incarnation," were donated by their owners and were quickly outfitted in preparation for battle. While sailing into position for the confrontation, the men prayed the Rosary and dedicated themselves to La Naval, Our Lady of the Holy Rosary. The five Dutch ships were well-equipped with canons, firearms and trained seamen; the two Spanish-Filipino cargo sips were poorly fitted with a few guns. At the end of the day it seemed unbelievable that the Dutch fled the area while the defenders of the city returned home in glory, praising Our Lady for her protection. For the next four months, the two cargo ships patrolled the waters; then, in July, they discovered they had been trapped in a narrow strait by not five, but seven Dutch ships. Since their position did not afford a proper angle for battle, they prayed and waited. Fearful that they would be attacked, they vowed that if they were victorious they would pilgrimage barefoot to the Church of Santo Domingo to thank Our Lady of the Rosary. Through the intercession of La Naval, the two cargo ships were apparently unseen in the fading sunset since the Dutch ships turned toward Manila without firing on them. The two cargo ships then gave chase and closed in. At sunrise the next day the Dutch retreated in disgrace. As soon as the victors arrived home, they gratefully fulfilled their vow. After the next battle the people of Manila began to call the cargo ships "the galleons of the miracle." After the fourth confrontation and victory the name was confirmed. Yet a fifth time the Dutch fleet appeared for battle. Anxious to defend their honor and restore their pride, the Dutch resolved to win at any cost. The advantage was definitely theirs when they found the two cargo ships anchored with the wind against them. Unable to move, the two cargo ships fought where they were and defeated the enemy so badly that they limped away, never to return. Our Lady of the Rosary and the men of her two cargo ships defeated
15 well-equipped warships. Sixteen years after the successful defense of Manila, an Ecclesiastical Council was convened in Cavite to study the unusual aspects of the five naval victories. The Council consisted of theologians, canonists, and prominent religious. On April 9, 1662, after studying all the written and oral testimonies of the participants and eyewitnesses, the Council declared that the victories were:
This decree was signed by all eight members of the Ecclesiastical Council. Before the victories, but more especially since then, the people
of the Philippines have lavished La Naval with their most loving
devotion and reverence. The greatest tribute was paid Our Lady when
the statue was canonically crowned on October, 1907 by the Apostolic
Delegate to the Philippines, Msgr. Ambrose Agius. The statue that is so dearly loved by the Filipino people stands 4'8" tall and is made of hardwood, but ivory covers the faces and the hands of Mother and Child. The statue is perhaps the most resplendent of the statues mentioned in this book. With the Christ Child on her left side, gently supported by the Virgin's left hand, Our Lady's right hand holds a scepter and a 15-decade gold rosary that is draped in such a fashion that it wraps around the hands of Mother and Child. Both figures are clothed in exquisite golden dresses and mantles that are heavily embroidered with golden thread. An unusual ornament adorns the figure of the Mother of God. Against the lace that encircles the head is a golden, gem-studded circle. The bottom of this circle rests against the chest of the Madonna. Resembling a golden aura, both small and large rays, richly enhanced with jewels, extend from the circle. Atop the head of the Madonna rests a magnificent crown that matches the one worn by her Child. To further display the love that the Filipinos have for the Mother of God, they have encircled the golden aura and the crown of the Madonna with an even larger halo of gold, and the crown of the Madonna with an even larger halo of gold, with jewels sparkling at the tips of 24 large rays and 24 small rays. The Blessed Mother has slightly Oriental features and is quite lovely. The Christ Child is exceptionally appealing with a beautiful face, fat cheeks and a plump little hand raised in blessing. The statue with its costly robes, halos and crowns is one of the beautiful of the miraculous images mentioned in this book. The Church of Santo Domingo was damaged several times by fire and earthquakes and was finally destroyed in 1941 by bombs, yet the statue has never been damaged. La Naval is presently treasured by the Filipino people in the new Santo Domingo Church in Quezon City, a few miles from Manila. During the Marian year of 1954 the church was designated as the national shrine of Our Lady of the Rosary. The anniversary of the vow made by the defenders of Manila during
the second naval battle is still observed each year by the people
of the Philippines who pilgrimage to the miraculous statue to demonstrate
their love for Our Lady of the Rosary and their gratitude for the
miracles of protection that took place almost 350 years ago. |
