Newsletter of the District
of Asia
Jan
- June 2004
Editorial
This is my Blood!
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“Every
holy Mass, heard with devotion, produces in our souls marvellous
effects, abundant spiritual and material graces which we,
ourselves, do not know.
It
is easier for the earth to exist without the sun than without
the holy Sacrifice of the Mass.” — Padre Pio
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“Where there
is a testament, the death of the testator must of necessity come
in.
For a testament
is of force after men are dead: otherwise it is as yet of no strength,
whilst the testator liveth.
Whereupon
neither was the first indeed dedicated without blood.
For when
every commandment of the law had been read by Moses to all the people,
he took the blood of calves and goats, with water, and scarlet wool
and hyssop, and sprinkled both the book itself and all the people.
Saying:
‘This is the blood of the testament which God hath enjoined unto
you.’
The tabernacle
also and all the vessels of the ministry, in like manner, he sprinkled
with blood.
And almost
all things, according to the law, are cleansed with blood: and without
shedding of blood there is no remission.”
(Hebrews,
9, 16-22).
Dear Friends and Benefactors,
God’s ways
are surely not our ways! Who would have thought to use Hollywood
as an instrument to remind us of the great gift of the Passion of
Our Blessed Lord at the beginning of this XXIst century? And in
a way that the Conciliar Church has not been able to do in 40 years?
As Dr. A. White wrote, by this film, Divine Providence has done
more in a few short months than 40 years of human endeavor to bring
Christ to the world. Even complete Muslim nations have been exposed
to the Mystery of Redemption such as no missionary would have been
able to do, and with more fruits than 40 years of ecumenism leading
no where!
Let me look
at one aspect of this new epic, which is certainly one of the many
goals of Providence through these visual arts: the link between
the Passion and the Holy Sacrifice of the Mass.
The deep link
that exists between these two may not be obvious to everyone today.
Obviously, no Protestant review of the movie highlighted it, and
how few Catholics saw it. In contrast, modernists bishops, such
as many in Europe and the USA, saw it so well that they criticized
the film for having unduly insisted on the Passion and thus misrepresented
the mystery of the Resurrection, — the famous ‘Pascal Mystery’ so
dear to them. Mel Gibson has tried to visualize the relation between
the Passion and the Holy Mass by various flashbacks to the Last
Supper. But, again how many have understood it? And how many will
think of doing the reverse, that is, to have flashbacks of the Passion,
in the mind and in the heart, while attending Mass?
The
Passion at the heart of Man’s History
The Passion
of Our Lord Jesus Christ is the center of man’s history; no one
can escape that truth. The Old Testament, the period before Christ,
with all its sacrifices and rituals, was its shadow1,
it led to the Cross.
The New Testament,
i.e., all the years from the date 33 A.D. onward — which is, let
us not forget, in the words of St Paul, the fullness of time2
(which means that there will be no other period in man’s history)
— looks back at that hill of Calvary. Everyone then in the history,
before Christ and after Christ, lives and is justified by the Cross,
or is condemned by that same Cross. It will be the sign of the Judgment
at the Last Day3.
The
Passion, the only worthy satisfaction for sin
Sin is an offense
against God. Thus only God could decide how He would forgive sin,
if this were to be. Let us never forget that God does mercy to whom
He wills, when He wills, how He wills. The Angels had only one chance.
There was no going to confession for them. For man, after his sin,
God could have acted likewise, or been content with an imperfect
settlement, knowing that being finite creatures, we could never
pay back adequately such an infinite debt.
But that would
not do to satisfy His Divine Justice. Full satisfaction had to be
made! Since finite man was unable to give that infinite reparation,
this human condition gave God the opportunity to manifest at the
same time His Divine Mercy by providing us with the means to make
full payment4: He would
send us the very Victim, infinitely perfect, holy, spotless, that
we could offer back to Him. This is what is mentioned in the Mass,
right after the consecration: O God, we offer back to Thee what
Thee Thyself have given us “…de tuis donis ac datis….”5
This sacrifice
of Our Lord on Calvary to make up for our sins, this propitiatory
sacrifice, is also, is even more so, the mark of an Infinite love.
“Greater love than this no man hath than to lay down his life
for his friends” (Jo 15, 13). Yes, “love is as strong
as death” (Cant. 8, 16).
The
Passion was for all mankind, therefore must always be remembered
That being
so — Our Lord’s Sacrifice on the Cross paying fully to Divine Justice,
thanks to Divine Mercy, who provided a worthy Victim who died in
the greatest act of Divine Charity — is it surprising that Our Lord
did not want His supreme sacrifice, His greatest act of love, to
be forgotten? Did He walk to Calvary and spend these agonizing hours
on the Cross, only for the few who were standing by, or who lived
in Israel at that moment? Is it not rather for the whole world that
he died? “(He) gave himself a redemption for all, a testimony
in due times.” (I Tim 2, 6)
And again,
“Christ died for all” (II Cor. 5, 15) — although not all
want to unite themselves to His death through faith and the sacraments.
In this infinite
love He bears all mankind — “God has so loved the world as to
give His only begotten Son” (Jo. 3, 16) — Our Lord did want
the story of His suffering and death to reach all people at all
time. This He did through Sacred Scripture, through the arts, the
monuments, architecture, and in our own days even through movies.
However He wanted to do more: He willed to make that very Sacrifice
present to all people in all places at all times.
Reflect for
a moment: we cannot fly back to Calvary, in Israel, to be present
on that saving day of the year 33 A.D. But Calvary can come to us
here and everywhere, now and at all times, for us and for everyone.
Ubique, semper, et pro omnibus. Only an almighty, all-wise
and all-loving God could have thought of that. That is the Holy
Mass. And that is what is meant by the Divine words: “Do this
for a commemoration of Me!” (Lk 22,19)
The
Mass and human psychology
Moreover, being
our Creator, the Good God knows our psychology. He knows the power
of emotions to draw us or to repel us from something. He knows that
we do not like to see human blood shed violently, that it is painful
to see one being tortured in front of our eyes. And on the other
hand, He loves the humble act of faith, this submission of the mind
to the Divine Truth. So, He made this Divine Invention, the Holy
Mass, the summary of all His marvels (cf. Ps 110, 4), to be very
accessible for all people, young and old, with no minimum age requirement,
without anything shocking or hard to bear.
He chose to
re-actuate His Sacrifice not in its natural physical element (a
human body), but by using plain bread and wine, a solid and a liquid
element which already contain in themselves the sign of sacrifice
— wheat and grapes do need to be crushed and processed to be turned
into dough or wine. Moreover, by consecrating first the bread into
His Body, then
the wine into His Blood, He wanted to signify the completeness of
His Sacrifice: the blood totally separated from the body.
The
Mass is the Passion!
The Passion
of the Christ is a visual representation, an image of the story
of the Passion. The Holy Mass is the Passion itself. There
is the same difference between the two, the movie and the Mass,
as there is between the photo album of the good deeds of a loved
son and his live presence next to his parents. Should the parents
spend more time looking at their son’s pictures or in talking to
him? The answer is obvious. The image of the son’s accomplishments
should lead them to converse with him, to appreciate his presence
even more, especially if he is a hero.
Similarly,
the movie should lead us to a closer union with Christ Jesus, present
in the Blessed Sacrament, and with His Sacrifice made present in
a mysterious but very real way on the altar, by the Holy Sacrifice
of the Mass. The Catholic Church has repeatedly taught for the last
2000 years that the Mass is the same sacrifice as the Sacrifice
of the Cross, the only difference being the manner in which the
sacrifice is offered. During the Passion, there was the shedding
of Blood, a lot of Blood; it was truly a bloody Sacrifice. This
is made very clear in the movie on the Passion.
The Church
can truly say to Our Lord what Sephora said to her husband, Moses,
after she had to circumcise their son, “A Spouse of blood art
thou to me” (Ex. 4, 25). In the Mass, although the priest and
the Victim are the same, i.e., Our Lord Jesus Christ, we do not
see the Blood, the altar isn’t covered with Blood; it is done in
an unbloody manner,through
the sacramental species, as we have explained above.6
The movie on
the Passion acts like a sacramental, one of these numerous and so
useful sacred signs (such as holy water, statues, images) which
help us to benefit more fully from the sacraments. But as any sacramental,
it will only bear fruit according to the disposition of the recipient,
here, of the viewer. Although the movie is a masterpiece of Christian
art, it is possible to look at it only materially — that
is only as a movie — not formally — that is for what it represents,
the Passion, — and thus, draw no lasting fruits from it. That is
why the movie must be seen as a providential means to re-discover
the Holy Sacrifice of the Mass, so misunderstood if not totally
unknown nowadays, even by Catholics..
To bring this
point home in our modern days, God raised a Saint who actually did
feel in his own body and soul, at least for the period of 50 years
(1918 – 1968) during the celebration of Mass the same physical and
spiritual pains Our Blessed Lord endured during His Passion. This
saint was Padre Pio. He was privileged not only to bear the stigmata,
the marks of the Sacred Wounds of Christ in his hands, feet and
side, but also, to re-live the Passion each time he offered the
Holy Sacrifice. He was not a movie actor, with fake blood and artificial
wounds. He bled for real,
he was truly crushed under the weight of the sufferings of Christ
which, as another Paul, he bore “in his flesh”7.
This was a
very special grace Padre Pio received, not just for himself, but
also for all of us, to remind us of what actually takes place during
the Holy Mass, albeit through the veil of the sacrament8
Normally, when we attend the Holy Mass, we do not see nor feel any
thing of the Passion of Christ. By faith, however, we can follow
the Passion throughout the whole Mass. Many Saints and spiritual
writers have drawn the parallel between the two to help priests
and faithful have in them the same mind as was in Christ Jesus during
his Passion. Bishop Fulton Sheen, for instance, wrote a wonderful
little book entitled, Calvary and the Mass, in which he divided
the Mass according to the Seven Last Words of Christ. Others, such
as St Leonard of Port Maurice or St John Vianney relate the various
parts of the Mass to the whole Passion, and even to the Resurrection
(from Communion onward). Pope Pius XII in his encyclical Mediator
Dei also mentions among the various ways of attending the Holy Mass,
the possibility of meditating on the mysteries of Christ:
“Many
of the faithful are unable to use the Roman missal even though
it is written in the vernacular; nor are all capable of understanding
correctly the liturgical rites and formulas. So varied and diverse
are men’s talents and characters that it is impossible for all
to be moved and attracted to the same extent by community prayers,
hymns and liturgical services. Moreover, the needs and inclinations
of all are not the same, nor are they always constant in the same
individual. Who, then, would say, on account of such a prejudice,
that all these Christians cannot participate in the Mass nor share
its fruits? On the contrary, they can adopt some other method
which proves easier for certain people; for instance,
they can lovingly meditate on the mysteries of Jesus Christ or
perform other exercises of piety or recite prayers which, though
they differ from the sacred rites, are still essentially in harmony
with them.” (no. 108)
“All the
elements of the liturgy, then, would have us reproduce in our
hearts the likeness of the divine Redeemer through
the mystery of the Cross, according to the words of the Apostle
of the Gentiles, ‘With Christ I am nailed to
the Cross. I live, now not 1, but Christ liveth in me.’(Gal 2,
19-20) Thus we become a victim, as it were, along with Christ
to increase the glory of the eternal Father. Let this, then, be
the intention and aspiration of the faithful, when they offer
up the divine Victim in the Mass.” (nn. 102-103)
Attending the
Holy Mass should never be the same after having seen the movie and
remembering this basic truth of our faith: the Holy Mass is the
Passion— alive again!
And of course,
if it is so, then Our Blessed Lady is there too with her immeasurable
sorrows and deep compassion. How well does the drop of water the
priest puts in the chalice full of wine at the Offertory represents
the tears Our Lady of Sorrows shed during the bloody scourging.
Then too, Our Lord does repeat at each Mass, particularly on those
who are present, the Divine Word: “Women, behold your son! Behold
your Mother!”
Going to Mass
will never be the same any more. Deo gratias.
Fr. Daniel
Couture
Footnotes
1.
“Let no man therefore judge you in meat or in drink or in respect
of a festival day or of the new moon or of the sabbaths, which
are a shadow of things to come: but the body is of Christ.”
(Col. 2, 16-17)
2.
“But when the fullness of the time was come, God sent his Son, made
of a woman, made under the law” (Gal. 4, 4)
3.
“And then shall appear the sign of the Son of man in heaven. And
then shall all tribes of the earth mourn: and they shall see the
Son of man coming in the clouds of heaven with much power and majesty.”
(Mt 24, 30)
4.
See St Thomas Aquinas, Summa Theologica, III, q. 46, a1, ad 3m
5.
From the Canon of the Mass, the first prayer after the Consecration.
6.
This whole doctrine is expressed solemnly by the Council of Trent
in 1562 A.D. in the following way: “He, therefore, our God and Lord
— though He was about to offer Himself once on the altar of the
cross unto God the
Father, by means of his death, there to operate an eternal redemption;
nevertheless, because that His priesthood was not to be extinguished
by His death — in the last supper, on the night in which He was
betrayed, that He might leave, to His own beloved Spouse the Church,
a visible sacrifice, such as the nature of man requires, whereby
that bloody sacrifice, once to be accomplished on the cross, might
be represented, and the memory thereof remain even unto the end
of the world, and its salutary virtue be applied to the remission
of those sins which we daily commit, declaring Himself constituted
a priest for ever, according to the order of Melchisedech, He offered
up to God the Father His own body and blood under the species of
bread and wine; and, under the symbols of those same things, He
delivered (His own body and blood) to be received by His apostles,
whom He then constituted priests of the New Testament; and by those
words, Do this in commemoration of me, He commanded them and their
successors in the priesthood, to offer (them); even as the Catholic
Church has always understood and taught.” DzS 1740
It was also
repeated by Pope Pius XII in 1947 A.D., in his encyclical Mediator
Dei: “The august sacrifice of the altar, then, is no mere empty
commemoration of the passion and death of Jesus Christ, but a true
and proper act of sacrifice, whereby the High Priest by an unbloody
immolation offers Himself a most acceptable victim to the Eternal
Father, as He did upon the cross.”
7
“Who now rejoice in my sufferings for you and fill up those things
that are wanting of the sufferings of Christ, in my flesh, for his
body, which is the Church”. Col. 1, 24
8
St Thomas Aquinas put it beautifully when he wrote in his hymn Lauda
Sion: “Sub diversis speciebus Signis tantum et non rebus Latent
res eximiae - Here beneath these signs are hidden, Priceless
things to sense forbidden, Signs, not things, are all we see.”
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